For the longest time, I resisted the need to add more colour, different colours, to my tessellations. I wrote before about this need, Recolouring a tessellation. Here are a few samples of my newly transformed prints. And some notes about my findings on the topic of colour in tessellations. Continue reading
I’ve resisted for a long time to recolour my #tessellation drawings. They are after all, supposed to be identical tiles by their true definition. In my opinion, it is good to have a bit of a challenge in deciphering a tessellation. Continue reading
Three of my prints are being shown at the Stadt Galerie in Brixen, Italy, till the end of the month. Gelbe Karte, Prissy Groovy and Cool, and Snowflakes. Andrew Crompton, David Hop, Hans Kuiper, Francine Champagne, Alain Nicolas, Fathauer Robert, Sam Brade are the artists representing the “Beyond” part of the show. All tessellations are part of the collection of Federico Giudiceandrea.
How to skip quickly from a messy sketch to a finished drawing in KaleidoPaint
Sometimes, I find it difficult to spend hours tweaking a single outline for a tessellation. I’d rather sketch freely to come up with some ideas. This was the only way to do it, before the edit line/fill function came along in KaleidoPaint. My drawings were messy and close to impossible to change without adding more of a mess on top. Sometimes it was easier just to start over on a blank page. The trick I had found Continue reading
This tessellation is built using the Pgg symmetry group. A grid of two different perpendicular glide lines with two different two-way (180*) rotation points in the middle of each rectangle. Sounds like a lot to take into account, when planning the drawing, but it’s not that difficult. Continue reading
Nested shape tessellation in P6
Totally enjoying the “realign” function in KaleidoPaint. Not only does it unskew the symmetry’s grid, but it also sets the grid to the same view. This is what makes it possible for me to share short animations of my tessellation processes. Continue reading
I’ve chosen a pattern from an Islamic geometric design as inspiration to get started for this tessellation. Looking at the photo, we can see four mirrors intersecting at ninety degrees to form a box. In the centre, a four way rotation point. Continue reading
Constant compromise. Coming up with a tessellation is an excercise in seeing both sides of the coin. A long process of shifting the needs on both sides of the line and allowing the other side to use available space, without loosing sight of your own purpose, your own needs. Finding a crack somewhere, nudging a line, inserting a limb in a space between. Give and take. Just as in life. Elle philosophise. Continue reading
Took a while, but I finally came up with a tessellation I like, to represent this Pmm symmetry group. I’ve named it “Gelbe Karte”, yellow card. This tessellation is built with five characters, Höwedes, Asamoah, Kolasinak, the Ref, and the one receiving a yellow card for excessive simulation (diving), Robben. About time Arjen gets a card.
Finally got around to creating a “Cheat Sheet” for starting a tessellation. A page of my own. Sometimes I need to physically mime my ideas, so hands are a good base to use here. Often it is difficult to decide which group to choose to accomplish a certain design. Continue reading
This is a lesson in wearing eye protection. Taking care of your body, your outer shell for the time you spend on this planet. I have not yet learned this lesson. But I am listening. If you’re an artist or carver and your whole life depends on your vision, please read this. Continue reading